Archive for ‘Oscar Films’

November 14, 2023

Telluride Film Festival 2023 Reviews

The one and only Ben Kerr (Telluride KOTO celebrity) in front of San Miguel County Courthouse, next door to his home away from home for the 5-day 2023 Telluride Film Fest: The Sheridan Opera House.
2023 Telluride Film Fest FilmsFilm Review
All of Us StrangersA
All That Jazz (1979)A
BaltimoreB
DaddioB
FingernailsA
Janet PlanetA+
NYADA
Poor ThingsA+
RustinB
SaltburnA
TehachapiB
The Falling StarB
The HoldoversA
The Royal HotelC
The Zone of InterestA
TuesdayC
WildcatB

2023’s Oscar race is on. It’s that time again to start talking about who’s work should be recognized. And we all know that the Oscar race starts in our sleepy little mountain town, Telluride.

This year was a special year — the 50th annual Telluride Film Festival! Whoop! Whooop! So we were gifted with a whole extra day to sit in theaters and watch movies. I saw 17 films in 5 days. 3.4 films per day. Not bad. I’ve seen as many as 5-6 films/day in previous years… As this was my 22nd Telluride Film Fest, suffice to say, I do take more naps these days.

Let’s get to it! My best prediction for Best Picture: Poor Things directed by Yorgos Lanthimos. It’s whimsical and smart with incredible set and costume design. The first 30 minutes will have you guessing if you like it or hate it… just stick with it. This brings me to an important demand…errrr, request: Remember: I watched ALL OF THE FILMS REVIEWED HERE IN A THEATER. And if you watch them at home… well, you’re not giving them a fair shot. Because even if you swear up and down that you can watch a film at home without interruption… you can not. These films take 2-3-5-10 years to craft, so the least we can do is give them 2 hours of our undivided attention. Many of the breadcrumb clues a filmmaker gives us about the larger story are simply lost on a small screen. Furthermore, when you *hate* a film… you’ll never really know the film stunk… or if you weren’t present enough to “get it” so you’ll be forced to question your own evaluation of it. See? That’s why you gotta get to a theater. Ok. I’ll hop off my soapbox now.

All of Us Strangers

Spooky strange story about what’s real and what we want to be real. Starring Andrew Scott (cute priest alert for Fleabag fans) and super cute Paul Mescal (starred in TFF22’s Aftersun) who seem to be all alone in the world. Love the layers of symbolism in this film. It’s almost a poem rather than a narrative story. You’ll need to suspend your disbelief to get into the story behind the story. There’s so much realness in this ghost story. 97% on Rotten Tomatoes.

Release date: December 22, 2023 (theaters)

All of Us Strangers Trailer here

All That Jazz

This was the film selected by Ethan Hawke (guest director, who is invited to program the festival with films that shape them) and it was a good one! One of Dan Hanley’s favorites. And anybody who knows me knows I love to watch Dan Hanley watching one of his favorite films. Now. That’s entertainment. Have you ever seen it? It’s fun!

All That Jazz Trailer here

Baltimore

Baltimore (not the Wire Baltimore… apparently — there’s a whole other Baltimore in County Cork, Ireland!? Who knew!?) is about a wealthy young woman, Rose Dugdale played by Imogen Poots who plans an art heist to raise funds for the IRA. Suspenseful heist film. 100% on Rotten Tomatoes. No trailer at the time of publication. No trailer yet.

Daddio

This film wasn’t my super favorite… mostly because it felt like it should have been a play. What was my favorite is that a writer/director, Christy Hall got her film made — and into the Telluride Film Festival! AWESOME! This story didn’t require the glitz of the big screen (but… as I wrote in my first paragraph… this doesn’t mean that you can skip the theater!). Dakota Johnson and Sean Penn talk for a couple hours about their lives and create a bond in a taxi. No trailer yet.

Fingernails

Whoa. Strap in. Watch this film if you’re brave. Feel free to close your eyes and put fingers in your ears (I did). It’s true, there’s some really disturbing images in this film. DISTURBING. However, the disturbing images are there for a good reason. Because people want to know — is our love real? We want certainty and we’ll do anything to be sure. If you loved Eternal Sunshine of the Spotless Mind and can suspend your disbelief about what lengths people will go to be in love… you’ll love Fingernails.

Now playing on Apple TV+. Fingernails trailer here.

Janet Planet

Ok – THIS IS THE MOVIE that you get to see because you go to a film festival. This is a tiny little movie. A tiny little amazing story that I have no idea how they will market this film so you know it’s for you. It’s a story about a mom and a daughter living in rural western massachusetts in the 1970’s. It’s not your typical coming of age story about a 10 year old girl who discovers her budding sexuality — nope, this kid is a kid. And she wanders through the movie as a kid, exactly like I did. She loves her mom so completely, the exact way we did before we discovered anything or anybody besides our mom. It’s a perfect movie. No trailer yet.

NYAD

Oooh, I love a girl-power film! NYAD was just released on Netflix about Diane Nyad who swam from Cuba to Florida when she was 60+ years old. Directed by Elizabeth Chai Vasarhelyi + Jimmy Chin who are longtime Telluride friends — through the climbing community & MountainFilm, also directed Free Solo, which won the Oscar for best documentary in 2018.

NYAD trailer here.

Poor Things

Love the wonder-twins director/writer combo Yorgos Lantimos and Tony McNamera. Their dreamteam work in The Favourite (premiered at Telluride 2018) and the super fantastic amazing best TV show in the last 3 years, The Great is only picking up steam. I predict Poor Things will win Best Picture this year. It’s whimsical and its message sneaks up on you. Mark Ruffalo’s character is a moron. It’s so fun! Girl power.

Poor Things trailer here.

Rustin

George C. Wolfe was in Telluride to introduce Rustin, starring Colman Domingo as Bayard Rustin. He has been largely forgotten in our textbooks and this film wants to resurrect his position in history. Architect of 1963’s momentous March on Washington, Rustin challenged authority and never apologized for who he was. The acting is great in this film! The only criticism is that it’s a bit of an afterschool special — no big plot twists here or creative storytelling.

Rustin trailer here.

Saltburn

In the social media age of spying on each other’s big lives, Saltburn captures how we lust for what our friends have. It’s kinda a Talented Mr. Ripley meets Single White Female story. My one beef: I wish the protagonist was a woman… because I loved loved loved Promising Young Woman which, like Saltburn was also written/directed by Emerald Fennell. She writes women so well! This movie would have been even more fun with a woman psychopath.

Saltburn trailer here.

Yup! That’s me and Oscar winning screenwriter/director, Emerald Fennell. NBD.

Tehachapi

French photographer and street artist JR, who directed Oscar nominated FACES PLACES, was in Telluride to promote Tehachapi (see his “pop up” below). Tehachapi aspires to bring attention to the men forgotten and lost in the US prison system. I saw this film in Telluride Town Park all snuggled up with good friends under a shared blanket and a dark sky full of stars. It was not lost on me my privilege that I somehow was born lucky with parents who loved and wanted me. I was given choices and options that the men in Tehachapi were never given the same. No trailer yet.

The Falling Star

I love a good French slapstick comedy! The Falling Star is like a French clown / mime / Buster Keaton flick. Tons of zany setups including a good/evil twin setup. This film is a good palette cleanser. It’s quite a jape! No trailer but here’s a blurb.

The Holdovers

Whoa. This film has a BIG ad budget. I’ve seen an ad for this film about 100x in the last 2 weeks! Yay art film budgets! I love Alexander Payne! That said, he hasn’t had a great film at the Telluride Film Festival in 10 years. I loved Nebraska in 2013 and watch it every few years (that’s Bruce Dern + me below!)… And yes, I realize that Downsizing was only 6 years ago… as I said “great film”. They can’t all be great. The Holdovers is no Election, but the main character (Angus Tully) played by Dominic Sessa, was attending Deerfield as a student when Payne plucked him out of obscurity to play the lead! Move over Reese! This high schooler is about to be a superstar!

The Holdovers trailer here.

The Royal Hotel

The Royal Hotel has the not-so-thinly-disguised threat of rape from the first party scene 10 minutes. The whole movie is a power keg building and building and building to a BIG EXPLOSION. Kinda like sex. Oh, I see what she did there. It’s scary and uncomfortable. But the payoff is weak (that’s what she said).

The Royal Hotel trailer here.

The Zone of Interest

I am pretty excited about this film because I absolutely love the actress, Sandra Hüller (also starred in Toni Erdmann / TFF 2016, and one of the very foreign films that I own). All of the story in The Zone of Interest takes place in a residence directly next door to an extermination camp, Auschwitz. Imagining going about your everyday tasks while people were being systematically murdered 50′ from your front door. To me, this story is about our personal power to deny what’s happening around us every day. We know people are being systematically murdered (in Gaza, Ukraine, the Democratic Republic of the Congo) and we go about our lives. We are safe in our beds at night while many others struggle for their survival. I think this film has a good chance to be recognized as a best picture/foreign category (UK/Poland).

The Zone of Interest trailer here.

Tuesday

3 things about Tuesday:

  1. If you’ve been dreaming of a film with a 45′ tall CGI talking parrot, you’re going to love Tuesday!
  2. Tuesday stars Julia Louis-Dreyfus, who has been moving out of the ‘slapstick Elaine Benes/Selina Meyer’ lane and into the ‘smart dramedy Nicole Holofcener’ lane. Seriously, JLD, you can do anything! You are amazing. And we will see you win an Oscar one day. But not for this film… because even you… could NOT save this film.
  3. My friend Tom tapped out of this film about 30 minutes in. As he grabbed his backpack, his body language said “nope. nerp. no way. I can not watch another frame of this movie”.

Tuesday trailer here. Just kidding. There’s no trailer yet.

Wildcat

My friend Tom made the joke that every year at the Telluride Film Festival, there’s at least one Wildcat and one Promised Land. This year, there was one of each. Last year’s Wildcat was one of my favorite films of the year! Playing now on Amazon Prime. However… if you insist on watching the 2023 Wildcat, that’s your prerogative. This Wildcat just wasn’t my jam. I didn’t read Flannery O’Connor’s short stories, so I felt lost and disengaged. If you loved them, you may enjoy this film more than I did. Laura Linney’s prosthetic teeth 10 minutes into the film *really* threw me. I couldn’t recover.

Wildcat trailer here. Ok, technically, this is a complete different Wildcat trailer… but enjoy!

2023 Telluride Film Festival Gallery

September 24, 2019

2019 Telluride Film Fest Recap

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In queue at the Werner Herzog Theater in Town Park

Telluride was HOT this year. Like actually hot. 80°. I usually pack wool socks and cashmere sweaters, but this year, standing in sun-drenched queues was like hiding out in rhinos.  Speaking of hot — so, did Telluride premiere the Best Picture of 2019 this year? Hard to say. Nobody predicted Green Book last year — the first year in a dozen that Telluride didn’t have the North American premiere of the Oscar’s best film. I’m not sure if we had the Best Picture this year or not but my favorite of the 2019 festival was: The Two Popes (currently 96% on Rotten Tomatoes and Variety review here). My review and trailer below.

List in alphabetical order:

The Aeronauts                         B

Diego Maradona                     A

Family Romance, LLC              B

Judy                                          B

The Kingmaker                       A

Lyrebird                                   C

Marriage Story                        A

Motherless Brooklyn              B

Pain and Glory                         A

Parasite                                      A

Portrait of a Lady on Fire          A

The Report                                  B

Tell Me Who I Am                     A

The Two Popes                         A+

Uncut Gems                                A

Waves                                          C

 

The Aeronauts        B

This film is about a lady pilot in 1862. Rad. “Pilot” a hot air balloon because airplanes weren’t even invented yet. Airplanes didn’t come along for 40+ years. The Aeronauts is a 2019 biographical adventure film written and directed by Tom Harper and stars that dynamic English duo: Felicity Jones and Eddie Redmayne (co-starred in The Theory of Everything). This is a movie (as opposed to a film) and feels very Disney – suspenseful with a strong girl-power message.

Trailer: The Aeronauts

 

Diego Maradona        A

Diego Maradona is directed by Academy-Award winner Asif Kapadia (Senna + Amy). He depicts people on their way up and up and up… and then the inevitable fall. The only difference in Diego Maradona is – he doesn’t die tragically as a young man. Somehow. And truthfully, I didn’t know anything about Diego Maradona, which didn’t impact my ability to enjoy his story and this documentary. Kapadia looked through thousands of hours of raw footage from 1980-1995 to create a time-capsule of Maradona’s rise and fall as an Argentine footballer (soccer player) who was worshiped on and off the field. He led Napoli from the bottom of the stats (think: The Bears) to its first league title (think: The Packers in 2011).

Trailer: Diego Maradona

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The portrait: The Man, The Legend inside of the Werner Herzog Theater

 

Family Romance, LLC    B

Noteworthy: Werner Herzog introduced this film at the screening I attended and said they shot about 300 minutes, and used about 80 minutes. Not bad. The film is weird, like most Werner films and funny. The acting feels almost like a reenactment, instead of a film. Quirky. Weird. Oddly watchable.

Trailer: Family Romance, LLC

 

 

 

 

Judy                 B

Renee Zellweger plays Judy Garland beautifully and will probably get an Oscar nomination for her performance. The story was good, but lacked a little emotional umph. Personally, I love Renee in comedies — Did you see her in Down With Love? Loved that movie and told her that when we spoke for a few minutes after the screening. She said she loves the amazing Marc Shaiman and Scott Wittman (who doesn’t —- me, too!).

Trailer:  Judy

 

The Kingmaker        A

This film makes a strong argument that Donald Trump and Imelda Marcos are related. Or maybe The Don is Imelda’s spirit animal. She should put him in her dilapidated zoo. Lauren Greenfield (who directed Generation Wealth on Netflix now and The Queen of Versailles, has uncensored access to Imelda Marcos. Yup, the lady with all the shoes. She’s back. Even more out of touch. Even more excess. Corruption. Greed. Total disregard for the constituency.

No trailer yet.

 

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Winner: Best film festival t-shirt

Lyrebird            C

I won’t remember the name or anything about this film in two years. There wasn’t much to remember or love about this film. Lyrebird is clunky and lacked style/vision. I didn’t care much about the characters or what happened to them. I liked Vicky Krieps performance, but that could be leftover from how much I loved her in Phantom Thread. Talk about style and vision! PTA knows all the tricks.

No trailer yet for Lyrebird. Just as well.

 

Marriage Story        A

Anyone who knows me (well), knows that I love me a good, sad breakup movie. I’ve seen Kramer vs. Kramer about 50 times. It’s gut wrenching and real and I eat that shit up. Marriage Story is the poor man’s K vs. K. Absent was Dustin Hoffman and Meryl Streep, and the 2019 version is Adam Driver and ScarJo. They’re good, but nuance is missing (as it is from almost all scenes directed by Noah Baumbach). How do you add nuance? I am not sure. But I can tell when it’s not there. Even the title of the film — not much nuance. You know? Laura Dern (as Nicole/ScarJo’s attorney) delivers a mid-movie monologue that provides some great comedic lines.

Trailer:  Marriage Story

 

Motherless Brooklyn        B

During the introduction to Motherless Brooklyn, the film was described to me and the rest of the packed theater as a “masterpiece”. Um. No. First, it’s unfair to say right before a film, because you’re expecting The Godfather and Motherless Brooklyn is not The Godfather. But, like I said… that’s not really fair. Ed Norton wrote, directed and plays a private detective afflicted with Tourette’s Syndrome, as he ventures to solve the murder of his mentor and only friend. It’s meh. It’s another film that I won’t remember 3 years from now. Damn, good movies (aka: masterpieces) sure are hard to make.

Trailer:  Motherless Brooklyn

 

Pain and Glory        A

Pedro Almodóvar’s shares a beautifully personal story about a filmmaker who is afflicted with Woody Allen-level ailments: headaches, backaches, a tendency to choke on any solid food – and general depression. Antonio Banderas steps up to the role he was born to play. He should be nominated for an Oscar for it, and might even win but the film will have limited theater-run. See it in a theater for the full sensory experience.

Trailer:  Pain and Glory

 

Parasite            A

Parasite is the best South Korean black comedy thriller film you’ve ever seen. First, this is the only film that my friend Dan told me to ‘Run, don’t walk to see Parasite’. And I did. And it’s great. It’s great for lots of reasons, but my favorite reason is that you’ve never seen this film before. Every plot twist your brain is working on, you’re wrong. It’s going to be fresh and new and I’m not going to tell you anything. Just take my word for it. Or don’t take my word. It won the frickin Palme d’Or at Cannes – 2019.

Trailer:  Parasite

 

Portrait of a Lady on Fire    A

Portrait of a Lady on Fire — this is the film that I go to the Telluride Film Festival for. Because even if I happen to see a poster for this film in the lobby of my favorite art-house theater (the Oriental in Milwaukee) or even the trailer, I’m not sure I’d know how great this film is and take myself to the theater. But this film is quiet and nuanced, and the story builds and unfolds at the right pace. That said, it would be a difficult one to get through on TV at home.

Trailer:  Portrait of a Lady on Fire

 

The Report            B

We’ve seen these political cat and mouse films before. All The President’s Men did it best. Even The Post is a bit more suspenseful than The Report. These are tricky stories to tell. Adam Driver does a good job and the film is watchable; because unfortunately, we (humans) need to learn over and over that torture doesn’t work (as much as we wish it did… it just doesn’t) so the story feels fresh and new. As the end credits explain, no one was ever charged or censured, and many of those involved in the use of “enhanced interrogation techniques” (EITs, more commonly known as torture) at CIA black sites around the world did not merely remain on staff; they were promoted.

Trailer:  The Report

 

Tell Me Who I Am        A

This is one of those ultra brutal docs that I will never forget. Like Act of Killing, a Telluride Film Festival selection in 2013 and a documentary that won every award because it’s great and the access to its subjects is unbelievable. What makes a great documentary? Truth. And relatability. This film is about truth and lies. And how the power of truth will set you free. It’s tragic and dark, but love and truth is there, too. Watch it. It will remind you the power of truth and family. And how family secrets will tear you apart. A universal story that anyone can relate.

No trailer released yet.

 

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My fab Film Fest fam

 

 

Still with me? Ok — well, here’s my pick for Best Picture!

 

The Two Popes        A+

Confession: I’m a lapsed catholic. And I think it’s relevant to share in my review of The Two Popes. See, I’m not  fan of the Catholic faith. My big gripes: 1) Women seen as second-class citizens. Women are less than men — lack of women in powerful positions. Priests. Bishops. Popes. Hello. It’s 2019 and for some reason, the Church is not subjected to equal-opportunity gender laws. 2) Gross displays of wealth in churches despite the Church’s stated mission to “live like Jesus” and spread resources among people who need food, shelter, etc. 3) Duh… sensible birth control — that women control. Yup, abortion… see #1. Ok, but despite (maybe because of) my beliefs about the Catholic Church, I loved The Two Popes. It was my favorite film of the festival. Top prize. And I wasn’t alone. A lot of people said it was their favorite, too. Ok, here comes the disclaimer. To see this film at home is to diminish your chances to see it’s full splendor. Because it’s a quiet story and watching it on Netflix at home while you do laundry and check FB, you’ll miss everything great about it. It’s a shame that this film won’t be seen in theaters because it deserves to be seen in the dark and quiet (ok, I’ll say it — a sacred) space. If you say this film isn’t amazing — I blame the environment, not the film. If Netflix releases The Two Popes in a theater near you, it will be brief, but go and pay the $10. It’s worth it.

Trailer:  The Two Popes

 

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Adam Sandler and the Safdie brothers discussing Uncut Gems

Uncut Gems            A

Hold onto your butts. Place your bets now. Adam Sandler will get nominated for an Oscar for this performance. He plays Howard Ratner, a jewelry store owner and gambler who is on the verge of winning big and losing big and winning big and… during this 2-hour thrill ride. I heard a few people say “I don’t like Adam Sandler… I won’t like it” and I get that but this film is worth seeing. Adam Sandler transforms himself in this role; you’re not watching Billy Madison.

Trailer to be released on Sept. 24, 2019

 

Waves                C

This film missed its mark for me. The pacing was wrong. It felt heavy-handed, over-directed. It’s overly melodramatic (which is usually my favorite!) but it felt manipulative. Directed by Trey Edward Shults, who has received a lot of praise for his work. I was like “meh”.

Trailer: Waves

 

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See you in August 2020, Telluride. If not, before. I’m looking at you, MountainFilm.