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Telluride was HOT this year. Like actually hot. 80°. I usually pack wool socks and cashmere sweaters, but this year, standing in sun-drenched queues was like hiding out in rhinos.  Speaking of hot — so, did Telluride premiere the Best Picture of 2019 this year? Hard to say. Nobody predicted Green Book last year — the first year in a dozen that Telluride didn’t have the North American premiere of the Oscar’s best film. I’m not sure if we had the Best Picture this year or not but my favorite of the 2019 festival was: The Two Popes (currently 96% on Rotten Tomatoes and Variety review here). My review and trailer below.

List in alphabetical order:

The Aeronauts                         B

Diego Maradona                     A

Family Romance, LLC              B

Judy                                          B

The Kingmaker                       A

Lyrebird                                   C

Marriage Story                        A

Motherless Brooklyn              B

Pain and Glory                         A

Parasite                                      A

Portrait of a Lady on Fire          A

The Report                                  B

Tell Me Who I Am                     A

The Two Popes                         A+

Uncut Gems                                A

Waves                                          C

 

The Aeronauts        B

This film is about a lady pilot in 1862. Rad. “Pilot” a hot air balloon because airplanes weren’t even invented yet. Airplanes didn’t come along for 40+ years. The Aeronauts is a 2019 biographical adventure film written and directed by Tom Harper and stars that dynamic English duo: Felicity Jones and Eddie Redmayne (co-starred in The Theory of Everything). This is a movie (as opposed to a film) and feels very Disney – suspenseful with a strong girl-power message.

Trailer: The Aeronauts

 

Diego Maradona        A

Diego Maradona is directed by Academy-Award winner Asif Kapadia (Senna + Amy). He depicts people on their way up and up and up… and then the inevitable fall. The only difference in Diego Maradona is – he doesn’t die tragically as a young man. Somehow. And truthfully, I didn’t know anything about Diego Maradona, which didn’t impact my ability to enjoy his story and this documentary. Kapadia looked through thousands of hours of raw footage from 1980-1995 to create a time-capsule of Maradona’s rise and fall as an Argentine footballer (soccer player) who was worshiped on and off the field. He led Napoli from the bottom of the stats (think: The Bears) to its first league title (think: The Packers in 2011).

Trailer: Diego Maradona

 

Family Romance, LLC    B

Noteworthy: Werner Herzog introduced this film at the screening I attended and said they shot about 300 minutes, and used about 80 minutes. Not bad. The film is weird, like most Werner films and funny. The acting feels almost like a reenactment, instead of a film. Quirky. Weird. Oddly watchable.

Trailer: Family Romance, LLC

 

 

 

 

Judy                 B

Renee Zellweger plays Judy Garland beautifully and will probably get an Oscar nomination for her performance. The story was good, but lacked a little emotional umph. Personally, I love Renee in comedies — Did you see her in Down With Love? Loved that movie and told her that when we spoke for a few minutes after the screening. She said she loves the amazing Marc Shaiman and Scott Wittman (who doesn’t —- me, too!).

Trailer:  Judy

 

The Kingmaker        A

This film makes a strong argument that Donald Trump and Imelda Marcos are related. Or maybe The Don is Imelda’s spirit animal. She should put him in her dilapidated zoo. Lauren Greenfield (who directed Generation Wealth on Netflix now and The Queen of Versailles, has uncensored access to Imelda Marcos. Yup, the lady with all the shoes. She’s back. Even more out of touch. Even more excess. Corruption. Greed. Total disregard for the constituency.

No trailer yet.

 

Lyrebird            C

I won’t remember the name or anything about this film in two years. There wasn’t much to remember or love about this film. Lyrebird is clunky and lacked style/vision. I didn’t care much about the characters or what happened to them. I liked Vicky Krieps performance, but that could be leftover from how much I loved her in Phantom Thread. Talk about style and vision! PTA knows all the tricks.

No trailer yet for Lyrebird. Just as well.

 

Marriage Story        A

Anyone who knows me (well), knows that I love me a good, sad breakup movie. I’ve seen Kramer vs. Kramer about 50 times. It’s gut wrenching and real and I eat that shit up. Marriage Story is the poor man’s K vs. K. Absent was Dustin Hoffman and Meryl Streep, and the 2019 version is Adam Driver and ScarJo. They’re good, but nuance is missing (as it is from almost all scenes directed by Noah Baumbach). How do you add nuance? I am not sure. But I can tell when it’s not there. Even the title of the film — not much nuance. You know? Laura Dern (as Nicole/ScarJo’s attorney) delivers a mid-movie monologue that provides some great comedic lines.

Trailer:  Marriage Story

 

Motherless Brooklyn        B

During the introduction to Motherless Brooklyn, the film was described to me and the rest of the packed theater as a “masterpiece”. Um. No. First, it’s unfair to say right before a film, because you’re expecting The Godfather and Motherless Brooklyn is not The Godfather. But, like I said… that’s not really fair. Ed Norton wrote, directed and plays a private detective afflicted with Tourette’s Syndrome, as he ventures to solve the murder of his mentor and only friend. It’s meh. It’s another film that I won’t remember 3 years from now. Damn, good movies (aka: masterpieces) sure are hard to make.

Trailer:  Motherless Brooklyn

 

Pain and Glory        A

Pedro Almodóvar’s shares a beautifully personal story about a filmmaker who is afflicted with Woody Allen-level ailments: headaches, backaches, a tendency to choke on any solid food – and general depression. Antonio Banderas steps up to the role he was born to play. He should be nominated for an Oscar for it, and might even win but the film will have limited theater-run. See it in a theater for the full sensory experience.

Trailer:  Pain and Glory

 

Parasite            A

Parasite is the best South Korean black comedy thriller film you’ve ever seen. First, this is the only film that my friend Dan told me to ‘Run, don’t walk to see Parasite’. And I did. And it’s great. It’s great for lots of reasons, but my favorite reason is that you’ve never seen this film before. Every plot twist your brain is working on, you’re wrong. It’s going to be fresh and new and I’m not going to tell you anything. Just take my word for it. Or don’t take my word. It won the frickin Palme d’Or at Cannes – 2019.

Trailer:  Parasite

 

Portrait of a Lady on Fire    A

Portrait of a Lady on Fire — this is the film that I go to the Telluride Film Festival for. Because even if I happen to see a poster for this film in the lobby of my favorite art-house theater (the Oriental in Milwaukee) or even the trailer, I’m not sure I’d know how great this film is and take myself to the theater. But this film is quiet and nuanced, and the story builds and unfolds at the right pace. That said, it would be a difficult one to get through on TV at home.

Trailer:  Portrait of a Lady on Fire

 

The Report            B

We’ve seen these political cat and mouse films before. All The President’s Men did it best. Even The Post is a bit more suspenseful than The Report. These are tricky stories to tell. Adam Driver does a good job and the film is watchable; because unfortunately, we (humans) need to learn over and over that torture doesn’t work (as much as we wish it did… it just doesn’t) so the story feels fresh and new. As the end credits explain, no one was ever charged or censured, and many of those involved in the use of “enhanced interrogation techniques” (EITs, more commonly known as torture) at CIA black sites around the world did not merely remain on staff; they were promoted.

Trailer:  The Report

 

Tell Me Who I Am        A

This is one of those ultra brutal docs that I will never forget. Like Act of Killing, a Telluride Film Festival selection in 2013 and a documentary that won every award because it’s great and the access to its subjects is unbelievable. What makes a great documentary? Truth. And relatability. This film is about truth and lies. And how the power of truth will set you free. It’s tragic and dark, but love and truth is there, too. Watch it. It will remind you the power of truth and family. And how family secrets will tear you apart. A universal story that anyone can relate.

No trailer released yet.

 

 

 

Still with me? Ok — well, here’s my pick for Best Picture!

 

The Two Popes        A+

Confession: I’m a lapsed catholic. And I think it’s relevant to share in my review of The Two Popes. See, I’m not  fan of the Catholic faith. My big gripes: 1) Women seen as second-class citizens. Women are less than men — lack of women in powerful positions. Priests. Bishops. Popes. Hello. It’s 2019 and for some reason, the Church is not subjected to equal-opportunity gender laws. 2) Gross displays of wealth in churches despite the Church’s stated mission to “live like Jesus” and spread resources among people who need food, shelter, etc. 3) Duh… sensible birth control — that women control. Yup, abortion… see #1. Ok, but despite (maybe because of) my beliefs about the Catholic Church, I loved The Two Popes. It was my favorite film of the festival. Top prize. And I wasn’t alone. A lot of people said it was their favorite, too. Ok, here comes the disclaimer. To see this film at home is to diminish your chances to see it’s full splendor. Because it’s a quiet story and watching it on Netflix at home while you do laundry and check FB, you’ll miss everything great about it. It’s a shame that this film won’t be seen in theaters because it deserves to be seen in the dark and quiet (ok, I’ll say it — a sacred) space. If you say this film isn’t amazing — I blame the environment, not the film. If Netflix releases The Two Popes in a theater near you, it will be brief, but go and pay the $10. It’s worth it.

Trailer:  The Two Popes

 

Uncut Gems            A

Hold onto your butts. Place your bets now. Adam Sandler will get nominated for an Oscar for this performance. He plays Howard Ratner, a jewelry store owner and gambler who is on the verge of winning big and losing big and winning big and… during this 2-hour thrill ride. I heard a few people say “I don’t like Adam Sandler… I won’t like it” and I get that but this film is worth seeing. Adam Sandler transforms himself in this role; you’re not watching Billy Madison.

Trailer to be released on Sept. 24, 2019

 

Waves                C

This film missed its mark for me. The pacing was wrong. It felt heavy-handed, over-directed. It’s overly melodramatic (which is usually my favorite!) but it felt manipulative. Directed by Trey Edward Shults, who has received a lot of praise for his work. I was like “meh”.

Trailer: Waves

 

 

See you in August 2020, Telluride. If not, before. I’m looking at you, MountainFilm.